Practice for mixed media

too dark too fast

This was one of my first experiences with mixed media art. Before this I had only cutout letters from magazines and glued them onto paper to spell out someone's name. However, I've now learned that layering is crucial in this form of art. It gives your artwork substance and a more developed look. I enjoyed layering different materials (ribbon, crape paper, origami)  because it gave my artwork a 3-D aspect. Through some trial and error I also learned that when layering, its better to layer dark and then work your way up with lighter colors. On my first try, I started layering with white and red, and then tried to put a layer of dark blue on top. The effect of the blue crape paper layer was only noticeable.

When I started the practice, I was flipping through magazine, looking for something pretty or interesting to paste. I had no theme or story that I intended to tell through my work. Since, I was looking at magazines like People and Teen Vogue, I realized how much these magazines focus on beauty. I wanted to take a slightly critical view of that in my practice. So i cut out pictures of pretty women, shoes, and other stuff we tend to regard as beautiful. My favorite picture is of this girl sipping a drink, and layered beneath that is a green eye. I tried to make it seem like its a complete picture and as if they both are meant to go together. when the viewer looks at it, I want him to realize that  when we look at a person we tend to look at the outer beauty only (thus the eye weird but pretty in its own way).

In the third practice I tried to see if could make a picture on the first layer and then layer with black on top of it.It was similar to a pciture of text Id seen that had used to a similar effect to make text stand out. Personally, it was kinda hard to layer black paper so carefully and precisely. I also should have used colors that were more contrasting, it would have made my picture more appreciable to the eye

Mixed Media Card

     Through this artwork I was able to communicate through my work and wish my friend a happy birthday.Like any other birthday card, I wanted it to show that a lot of considerable effort was made and that I had customized it for my friend. In the card  I included a lot of clip outs of jokes that would make her laugh, words cutout from magazines that described her, and on the backside, i wrote my message over white crape paper that I had layered. I tried to give it a girly touch with the butterflies and glitter paper that I glued onto the red crape paper. Through this project, I also got to show my friend what I value about her and our friendship, through my art, and in the end , I believe that it made a personal connection with the viewer (my friend).

This project not only reflect my own ideas, but also that of my peers, who collaborated and gave constructive feedback while i made the card. Emma helped show me that I was solely exploring the crape paper media on the card. She brought over some wrapping paper and reminded me how we had learned to make origami butterflies in Art 1. Not only did this liven up my card, but it also gave it a 3D aspect. I also discussed with her the idea of putting glitter on the front, on top of the solid boring layer of black paint i had applied. when i was finished with the card, I was holding it and considering how I would hand it over to my friend. Sabrina suggested that I should attach a ribbon on the top, so that my friend could hold it less awkwardly, and even hang it up.

For this project my source of inspiration, was from cards i had seen on Pinterest. these cards had cut out letters from the magazine spell out "Happy Birthday". I decided to take this a step further, and customize it more I also wanted the card to have more mixed media on it. since my friend always has an awesome sense of humor, I also chose funny pictures and jokes that would make her laugh.

closeup and clay

For the closeup project I drew pomegranate seeds in a prisma color pencil medium. This was my 2nd experience with this medium, and I developed my layering and burnishing skills. I also learnt how to make highlights prominent, and how they can give the seed a 3-D shape. I also realized that the more layers you put, the more realistic it seems and burnishing becomes easier. I liked working with this medium, but each seed required a lot of work, because you could do so much per seed with these pencils.






For the clay project I made a Panini kind of sandwich. I tried to keep it simple so that i could focus on the details of each item, like that of the avocado and tomato. While I was painting the clay, I got a chance to reflect on my work. I realized that I should not have attached the clay vegetables onto the clay bread because it was difficult and almost impossible to paint all of one vegetable without getting that color paint onto the vegetable attached beneath it. It would've been smarter to paint them separately and then glue them.



When I started thinking about the closeup project, I was sure I wanted to do the pomegranate seeds, because its something that I like alot. Instead of finding pictures of the seeds on Google or Pinterest, I took pictures of the seeds, while I was deseeding them. My unique pictures enabled me to get a unique and personal closeup of the seeds. Instead of the seeds I also thought to include the pith, so that its bland color could contrast with the vibrant color of the seeds. All of theses unique ideas made my art original.

candyy!!! >0<

the peppermint- done with chalk

In this project I used three different mediums to recreate different kinds of candies. I used oil pastels for the jolly rancher. In the past I had used oil pastels, but I only used them as vibrant colors on their own; I had never really blended them. I further explored this medium, and learned that to make oil pastels colors seem even brighter. I used this to make the yellow wrapper design brighter on the jolly rancher brighter where there were highlights. I also used prisma color pencils for the first time. I explored its ease with blending, and how white can easily highlight the areas where the light hits the dum dum wrapper.I also used chalk for the peppermint, and I found it hard and challenging to use. It wouldn't easily blend, and if you layered it too much or too hard, you could start to see the black paper appear.

In these projects, I also took risks. The first one was when I drawing the dum dum, I looked closely and noticed that the stick wasn't exactly touching the surface: It was kind of suspended in the air. I wondered if I should make it look like it was touching the surface like everybody else's seemed like. However I decided that I should be as accurate possible and even include its shadow. This risk payed off because my art looked more realistic. Another risk was changing the color of my peppermint to blue instead of white. I thought this would make my art original, but it backfired because I couldn't execute it properly.

the jolly rancher- done with oil pastels

In these projects we mostly had to draw the candy exactly like we saw it, so there wasn't much space to make the art very original. I still tried to make it original though. In the jolly rancher drawing, I changed the candy name to "jolly dancer" and the slogan to " hard and dancy" . If you looked closely at my artwork you'd realize it then, so I suppose it was kind of a benefit, since it made. The audience would have to look closely and notice the details to truly appreciate the puns and the work as a awhole.

painting in kandinsky style

Kandinsky's Landscape

in this project I painted a landscape in the style of wassily kandinsky.since kandinsky painted his first few landscapes in an impressionist-abstract style, I experimented with the way i normally painted to imitate his style to get an abstract shape for the foremost tee I closed my eyes and randomly drew. For the trees in the back I painted in the tree stumps in random shapes and directions and let the surrounding area become the top of the tree. For the path , i put random colors over gray and didn't worry too much about blending them. Experimenting and not being too controlling with how my art was forming enabled my painting to resemble Kandinsky's style.


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My art in Kandinsky's style

In this project I also learnt alot about Kandinsky, his art style and paintings. I learnt how important his art style was and how it gave lead to the (abstract) expresssionism movement. How he started off by painting in an impressionist style and then it evolving into abstract. How the artist used deep brush strokes and a balance of warm and cool colors like yellow and blue. ( I painted the mountains blue and used yellow for highlights and even the grass). Having an awareness about kandindky's art making process helped me imitate it in my painting.

Deep Brushstroke Technique

Painting in kandinsky's style taught me new techniques. I learnt how deep brush strokes gives a different raw kind of look to your painting. By using blue and yellow often, I learnt how you can maintain a balance of warm and cool colors. Also using thick layers of paint gives the object you are painting an interesting texture. All these techniques helped me become more skilled with acrylic paints.

European city in perspective

 My artwork was inspired by Pinterest pictures of  European cities. When i started this project i wanted my city to be representative of the beauty of the the European world. I looked at pictures of German streets, the seine river in France and Scotland and then incorporated the style of their architecture into my art. Even details like windows were based upon medieval buildings.

As part of this project i learned how to utilize the concept of perspective in my drawing. When i had done perspective in an art 1 project i had played it safe by just sticking to 2 point perspective . In this project however i wanted to use perspective to make it seem like the city was going off into perspective. I learned that isn't enough to just have a vanishing point at the right corner of your paper; the buildings have to be smaller as they move back. Shading was also vital because you had to have cast shadows of one building fall onto another building where they overlapped.

details on the window

During this project i would step back and reflect on my work but collaborating with my peers for feedback helped me even. More. My friends were able to show me stuff i hadn't thought or wasn't paying attention to. Emma advised me to put a vanishing point off the paper so the drawing would be correct but not exaggerated. I also got told that i should have the front buildings larger than the rest. There was also this guy in my 4th period who tried to convince me that the design on one of the buildings was awkward, so i changed it to something simpler (thanks Lawson!)Without the critical feedback my artwork would not have been have been correct in perspective.

Art 1 Final Portfolio

second attempt -letter U

first attempt -letter U

QA) This semester I've grown as an artist and these pictures show it. The first one is my first attempt of the Letter U. I thought I'd done a pretty good job on the first attempt and that my shading made the drawing seem realistic.I decided to redo this drawing because I wanted to get more details in my drawing and different values in my shading.In my second drawing, the fingers look  more realistic and for the first time this semester, I actually tried to get the details of the palm.I also included different values like the highlights on the thumb and top two fingers.I also tried to include a bounce light on the knuckle of  the 4th finger.Over the semester I've learnt how important it is to include all the detail you can, and to pay more attention to following the detail not what you think the detail should be like.Also if you want to include a specific perspective  its important to include highlights and darker shades in the right way.I think I payed more attention to all this in the second drawing than in the first.

My JFK portrait

The JFK picture I used

Q4from part B)
If I were to redo any project I did this semester it would be my sculpture project, which was the cardboard relief portrait of JFK. The idea for this project came from a Pinterest picture of a cardboard relief of someone's face. I wanted to do a similar portrait of  a famous person and I liked the challenge associated with having to make my relief portrait recognizable to my audience.When I started by simply projecting a picture I'd chosen of JFK and drawing it, that turned out well and you could kind of recognize him. I think when I actually started carving the cardboard I realized a couple of mistakes I'd made. Firstly, I hadn't planned what parts I was going to carve out, so I mis-carved somethings. For example, in the picture I chose JFK is resting his head on his hands which are both crossed together. I should've carved the outline of his hands and fingers and made one hand darker than the other but I carved in between the fingers and it looked pretty awkward. To cover up this mistake I decided to paint over it, but it didn't work. Another mistake was with the overall proportion and positioning. His head was wide and beneath his ear there should've been a neck. I also should've used a color picture of him if I was going to make a portrait of him in color; the picture I'd chosen of him had was black and white with a lot value which I should've maintained. If I could do this again I'd chose a black and white picture of him that clearly shows his face, I would plan my carving out before I did it, I would carve more than I've done in this picture, the only paint I would use would be to add value, highlights and maybe even dark brown for his hair.



Q6 from part B)

This semester taking risks allowed me to improve as an artist.In one of my first projects we were supposed to draw an object, and I chose to draw an apple. I challenged myself by drawing it from a different perspective and every now and then I had to step back and analyze my work to see if it was still recognizable. Another risk was including a yellowish gleam that blended in with the local color. I wasn't sure if it would blend in that well and look natural but I decided to try out it out.By taking these risk I saw how it payed off to take them in the first place and how they made my art more realistic.In the style project I also challenged myself by making an optical illusion of my own. Dali makes it seem easy, but it took a lot of thinking and planning to get it right. I'm glad to have tried it out because I saw how forced perspective makes a difference in your artwork. In my second sculpture, I also challenged myself. The word I was carving was long in width and height, I didn't see how it could stand up on the thin base. I finally decided to make the base wide and it worked out because the sculpture could stand in the end.Taking risks and challenging myself helped me be more creative with my art, incorporate forced perspective, try out making something new and different like an optical illusion, and it encouraged me to find a solution when problems arose.

Q7 from section B)

This semester the medium I enjoyed working with the most was oil pastels. Although they can make your hands pretty dirty I enjoyed working with it because of the many techniques it allows. For example in the Space-theme project I used oil pastels.For the planet on which the aliens are standing, I used the scumbling technique, and by applying it many layers, it gave the planet a unique texture and let it seem more realistic. For the Saturn planet I used techniques like burnishing and added highlights to make it seem like the light from the spaceship was falling upon it.
For the 2 in 1 project I also used oil pastels which stood out and contrasted well with the black and white text background. I liked how oil pastels burnish when you apply it in layers to create a vibrant color and unique texture. Using this technique I colored the flamingoes with peach red yellow and white oil pastels.it burnished well and the flamingoes had a natural color.Overall I like how vibrant oil pastels can be on paper because it helps produce a contrast in your artwork. I like how if you make a mistake, you can simply add more layers of oil pastel to cover it up.I also enjoyed exploring highlights,core shadows and cast shadows in one of our warmups with oil  pastels.


Q8from part B)
With my artwork I got to chose what direction I wanted to take and what materials I was going to use and overall this helped me enhance my art skills. The biggest example was the identity project because you could do whatever you wanted with your artwork. Without an exact direction I spent a couple of days trying out new ideas but I didn't like any of them. Finally I started doodling on my coffee cup and liking the result I decided I would turn this into my identity project. Thus not having exact directions on what to do and how to do it helped me find a more creative and unique approach and take risks.I worked on a unfamiliar medium like the coffee cup and used dried paint flakes to make the balloons. Similarly in the style project, choices were pretty open; you could chose whatever artist you wanted and imitate his style however you wanted. This was efficient for me because I could explore art history and chose an artist based on artwork that I liked. I would have been less enthusiastic about imitating someone's style if the artist had been assigned to me. It also encouraged me to take a risk  and try to make an optical illusion similar to that of Salvador Dali. I liked having open choices with my artwork because it encouraged me to take risks and explore unique ideas and mediums.

  

art 1 fleet!!!!!!!!!!!!!!!!!!!!!!!
THanks for the cookies!!!!!!!!!!!!!!111